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seating along the curving wall of the ancient stone chapel in the hilltop village of ston-herkuljan, my family and i were enjoying the sun in the late afternoon when the director of the group, a thirtyish croatian man, emerged from his office and entered our circle. he greeted us and invited us to listen to his talent-packed klapa group. they stood in a half-circle in the middle of the room, facing the glistening croatian sea sparkling beyond them and sang a new song of poklopac(rat-tat-tat-tat) from the village of groda. the song was a lament from the dalmatian coast, a story of a dalmatian who was called, his feet set on the clay, to become a man and to start a family. i could easily picture him now, sitting in that same chapel with his wife beside him, singing a similar lament for the future of a family he will never know and who will never know him. then the director introduced me to his four young singers and wished me a happy visit to croatia.
my three children, emily, tom and andrea, and i were on the road from new york and pennsylvania back to idaho when we heard this song on a serbian radio station . we immediately recognized the familiar traditional melody. i learned that the klapa usually uses only the first verse of the song and does not sing the last, so we were eager to hear more. our road took us to a beautiful city in the adriatic called pula, where we drove down a main road to the town of dragali. we stopped at a restaurant on the small peninsula above the city to get a traditional dalmatian lunch, paskha(lentil crepe) with lard, klobasa soup and stuffed cabbage rolls. i had a lokumfilled with the famous rakia. we stopped at the beach for a swim and then at a restaurant inside the town of pula.