Here you can see the new and enhanced mobile experience in Android and iOS. The new interface makes editing on the go incredibly easy, and lets you sync with the desktop file. In addition, you can edit directly from the mobile device without having to bounce back.
In both Android and iOS, you can continue to locate your original files directly from the mobile file browser. You can also use both Android and iOS to “Add to Project” to bring the file into the desktop version directly so you can continue to make edits.
Related to the amazing new Time Machine feature in Photoshop is the ability to add comments to your Elements workspace. Editor comments enable you to communicate your thoughts on a file. In the Elements workspace, you can mark files as unopened and eventually batch-open them for viewing, editing, and commenting. Some of your comments will end up stored with each file, enabling you to access them later by simply inserting the appropriate workspace into the desktop. It’s a great way to speed up your workflow and get a second set of eyes on your photos.
Adobe continues to work closely with Apple on its iWork software. When you sign in to iCloud, you can also access all of the iWork apps — Pages, Numbers, Keynote, and much more — right from your iOS devices. iWork apps all have a new look, and we think you’ll like them.
2. SELECT THE DON’T SHARE OPTION. Next, select the Don’t Share option, seen at top right as Preview black bar. If you had selected Pull From Photo Library, this option wouldn’t appear. 933d7f57e6
First, roughly a month prior to the release of Lightroom 5, the Photoshop web site revealed a teaser vignette in the form of a laser-inscribed demo. It’s the same test pattern that appears in every iteration of Lightroom since 2010, a few fading vignettes around a blue background. It looks like this:
As for Photoshop running in the browser (almost certainly the case at the time of this writing, given how the articles I read on the subject said so), I thought it would be a pain to explore tutorials when I could have been hunting the rainbows at the local rodeo or enjoying a jaunt to the botanical gardens. I was initially concerned about how it would work with image editing, but I’ve been mildly suprised by how well it’s done and that I’ve been doing, for instance, all my work from Bridge. (I was thrilled to discover my F/4 macro lenses are now being handled by Photoshop too.) It’s a program that has a level of detail way beyond its price, and trying to explain it to someone who has never used it is like dropping a piano on their head.
A significant addition to the options for cropping images, Background Erase now includes a preview where you can see which parts of the image are unwanted. The new Background Erase Latest Selection is just as handy, with an arrow icon to indicate areas that are outside of the frame. You can also erase a selection from a colored area, like a blue sky. Past versions of Photoshop didn’t have an easy means to remove areas that were blue or green. The new Background Erase Shadow Clear option is also useful. Previous versions of Photoshop didn’t have an easy way to remove shadows that were partly on the background so they looked more natural. For black and white images the new Background Erase Whites can be a godsend as well.
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